Hanging against the white walls of the SEABA Gallery on Pine Street in Burlington, Robert Hitzig’s geometric wooden sculptures glow with a subtle sheen. Up close, the layers of tinted shellac magnify the natural grain of the wood. Viewers may have an urge to run a hand across their surfaces, just to see if the pale color hides any imperfections. But, tempting as it may be, don’t ask Hitzig what his floor-laying schedule is. These days, his oeuvre is form, not function.
“I get plenty of requests about doing floors for people when they see my work — and I always have to say no,” Hitzig says with a slight grin. “I like to take wood into the fine-art realm and make it look like art, rather than furniture or something functional.”
That hasn’t always been the case. Working first as an agroforester for the Peace Corps and then for 10 years with the Environmental Protection Agency, Hitzig spent years thinking about forests and timber in a practical way. He indulged in a furniture-making hobby for a while. And then, in 2007, he got tired of function.