Writer, Editor, Blogger

From her home in Burlington, Vermont, Lindsay writes about the arts, fitness and travel for publications including Dwell magazine, EatingWell, Forbes.com, the Washington Post, the Philadelphia Inquirer, Art New England, Seven Days and The Horse.

Lindsay is also a copywriter, proofreader and corporate-blogger.

freelance journalist



You Got This! (Bicycling Magazine)

Published August 1, 2014 in Bicycling magazine.

Bicycling August 2014

It's no fun hauling your bike to the shop only to hear that your problem is user error. Mechanics face these five customer woes all the time. Here's how to solve them yourself.—Lindsay J. Westley


A bike tour of Vermont's Lake Champlain Islands (Washington Post)

By Lindsay J. Westley.  Published July 18, 2013 in the Washington Post.

Biking A mid-ride beep from my neon-colored GPS watch usually signals a moment of weakness: a stop for a gulp of water or to rest quivering calves after climbing one of Vermont’s many mountains. Today, as I wheel my bike around the potholes in a farm lane, it’s signaling a more important item on the agenda: maple creemees.

The rest of the country calls the frozen treat twisting into my cone “soft serve,” but here in Vermont, it’s a creemee. Made with farm-fresh milk and a high grade of real maple syrup, it’s a delicious start to the weekend — and the official guarantee that no cycling speed records will be broken over the next two days. But we will eat well. And often.

After all, we have the home-court advantage on this vacation. My husband and I have been living on the southernmost tip of Vermont’s Lake Champlain Islands for nearly two years, having moved here from Pennsylvania as newlyweds.

Mush! A dog-sledding adventure in Maine (Washington Post)

By Lindsay J. Westley, Published: November 26 in the Washington Post

The air is charged with the sound of 17 howling huskies, and the snow brake I’m standing on with both feet quivers as the brawny dogs in front of me strain against their harnesses.

It’s not a moment for misgivings or second thoughts: Either you hold tight as you release the brake and the dogs snap forward, or you’re left behind as the sled races toward the mountains in the distance. I choose to hold on.

Already charged with adrenaline, I’m prepared for the rush of euphoria that accompanies our first leaps across the ice, but I wasn’t expecting the silence. One moment, it’s orchestrated chaos accompanied by nose-to-the-sky howls; the next, it’s utterly hushed except for the crunch of snow beneath the runners.

Escapes: A tour of western Pa. Amish country (Washington Post)

Amish plowing

There’s no sign out front, so my mom and I trust our instincts — and the smell of fresh sawdust — to guide us as we pull off the dirt road and approach the weathered workshop. We’re in search of an authentic Amish-made rocking chair, and judging from the woodworking tools and gently curved rocker bottoms propped against the doorway, we’re in luck.

The noise from the belt-driven bench sander drowns out the sounds of our approach, so it takes a minute before a young Amish man looks up from where he’s sanding the armrest of a nearly completed rocker. His brother, barefoot and probably about 8 or 9 years old, looks up too, giving us a shy grin from beneath the fringe of hair cropped straight across his forehead and flaring out over his ears.

Q&A with Vermont Architect Marcel Beaudin (Dwell)

In my quest to find examples of modern design around Vermont, I frequently came aross the work of Marcel Beaudin. Now in his 80s, Beaudin is still designing new projects and renovating his old projects for former clients and friends. Here's my Q&A with him for Dwell:

Interviews: Architect Marcel Beaudin at Dwell.com

The New Guard (Dwell)







I wrote three short pieces on up-and-coming designers for the Now 99 issue of Dwell, published in May 2012. Click here for digital version; pdf of pages available here.

The One Question that Kills a Good Interview and Reveals Absolutely Nothing (Forbes.com)

Originally posted 3.24.12 at www.Forbes.com.

"If you want to know what my five-year professional plan is, ask me what I do on a Sunday afternoon and not what’s ticking on my career clock."

I was in a job interview last week that was going well. I was connecting with my interviewers, I’d done my research on the position, and the job sounded like it would be a good fit for my writing skills and desire to mentor undergrads.

Then came the killer question: “Where do you see yourself professionally in five years?”

This question really only has three answers, and when posed to an ambitious Gen-Y candidate, none of them will make you look good. Here’s what I mean:

How to Spot a Job Using Twitter (WetFeet Magazine)

It’s easy to see Twitter as merely a source of amusement—especially if your feed is bogged down with inane, minute-by-minute updates from friends and celebrities. After all, who cares what Nick Nolte had for breakfast or that your cousin lost her keys again?      

But Twitter can be so much more than a workday distraction. It can be a powerful career tool. More and more recruiters are turning to social media powerhouses such as LinkedIn and Twitter to find candidates and communicate open positions. Plus, with a little savvy, Twitter can be great for building your network, gaining industry know-how, and uncovering unofficial job leads.     

Before you start tweeting your beak off, though, be sure you’re up to date on Twitter etiquette.

1. Be a Pro
Your Twitter profile will be one of the first things a recruiter finds when he Googles you, so from the moment you create an account you should make sure to put your professional face forward.

Why Being Fearless Matters So Much: A Conversation With Zaha Hadid (Forbes.com)

Originally posted 1.26.2012 at www.Forbes.com

‘The only thing I could have done to make them accept me was to water everything down — and I wasn’t prepared to do that.’

When architect Zaha Hadid walks into the Philadelphia Museum of Art, conversation stops. Dressed all in black,she strides purposefully across the vast exhibition hall, her presence nearly dwarfing even the mural-sized Marc Chagall stretching from floor to ceiling behind her.

Hadid’s larger-than-life persona is a frequent topic of conversation in the architecture world, and in concert with the gravity-defying, curvilinear buildings she creates, has earned her a reputation as the diva of architecture. It’s a term applied by admirers and critics alike, to which she responds bluntly “You wouldn’t call me a diva if I were a guy.”

Persian Visions: Contemporary Photography from Iran (Art New England)

The Fleming Museum, University of Vermont • Burlington, VT • www.uvm.edu/fleming • Through May 20, 2012

Ahmad Nateghi, Untitled, 1998

By turns abstract, edgy, and haunting, the photographs in Persian Visions: Contemporary Photographs from Iran fully transcend the geographic boundaries imposed by the exhibition title. These are not the images that have flashed across American television screens for the past ten years; they’re far subtler than that, muting everyday violence with digital multimedia, blurred focus, and the ever-present veil motif.

Subject matter simmers just beneath the surface, at times brought to a rolling boil by Fleming curator Aimee Marcereau DeGalan’s decision to juxtapose the contemporary prints of the traveling exhibition (toured by International Art & Artists, Washington, D.C.) with nineteenth-century photographs of the Middle East in a complementary show.